The Description Is Not The Described

by Nathaniel Cross

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Malcolm Earle Smith There's a lot of love gone into this record. Great collective sound, terrific horn writing. Lovely solos! Enjoying the full experience of great music and artwork (vinyl well worth getting). And I love Nathaniel's soulful trombone sound. Great job

Loopdigga247 Right up my street
Jazz sensibilities and musicianship with modern beats and groove.
Give me more! Favorite track: Goodbye For Now.

David UNKNOWPROD Love sounds by Nathaniel Cross ! Favorite track: Who Looks Inside, Awakes.

himlavasen This musical journey was an absolute joy! Fantastic mix of old school jazz and more modern sounding beats. Highly recommend it! Favorite track: Who Looks Inside, Awakes.

freejazzy In my next life I'd like to be an hockey or a trombone player. Favorite track: Light In The Darkness.

mrcool Gotta say much respect to the "Quincy Jones of Catford" Nathaniel Cross. I have had this album for a few weeks and the production is tight. The horns are so crisp riffing to the backdrop of the smooth bass and the light, yet sharp playful-pops of the percussion; delivered by Phillip Harper .
This modern and contemporary jazz EP is more than what you bargained for.
Support the UK artist ✊🏿 Favorite track: Goodbye For Now.

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1.	Goodbye For Now 07:13	buy track
2.	Charge It To The Game 04:30	buy track
3.	Light In The Darkness 08:23	buy track
4.	Who Looks Inside, Awakes 07:14	buy track

about

First Word Records is incredibly proud to welcome Nathaniel Cross to the label, here with his debut solo EP 'The Description Is Not The Described'.

Once dubbed "the Quincy Jones of Catford" by Rolling Stone magazine, the South Londoner has been a prominent force behind the scenes for several years now as an arranger and trombone player. His skillset has seen him perform and record with a wide range of luminaries including Solange, Emile Sandé, Stormzy, Zara McFarlane, Kano, David Murray, LCSM, Swindle and Macy Gray to cite a few, additionally to working on both of Moses Boyd's albums, including the Mercury Prize nominated 'Dark Matter'. Growing up in a musically-focused family, Nathaniel has been playing the trombone since the age of 10 and studied at Guildhall School of Music & Drama. Two decades since first picking up the trombone, it's now finally time for Nathaniel to release his own compositions into the world.

So to the EP - a four-track instrumental opus that falls within the cracks of contemporary jazz, whilst encompassing a wide-range of black music sub-genres that he heard growing up in a British-Caribbean household. "The overview for this EP at the core of each track is jazz arranging, but disguised under a range of styles of music from the black diaspora" says Nathaniel. Sonically, the full-set threads in strains of bruk, calypso, dancehall, neo-soul, hip hop, gospel, afro-cuban and West African music.

The title itself 'The Description Is Not The Described' comes from a quote by Jiddu Krishnamurti. In Nathaniel's words "the title is a reflection of where we are in the world today. So many of us are caught up in labels and descriptions that we end up looking at people for WHAT they are, rather than embrace them for WHO they are. No matter how detailed the description is, it will never capture the essence".

The EP's track subjects encompass a range of topics, from grief and loss ('Goodbye For Now', dedicated to Nathaniel's late father), to overcoming the trials and tribulations of life ('Charge It To The Game'), to remaining positive in challenging times ('Light In The Darkness'), to looking for validation internally instead of externally ('Who Looks Inside, Awakes', named after a Carl Jung quote).

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released June 25, 2021

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about

Nathaniel Cross London, UK

Once dubbed "the Quincy Jones of Catford" by Rolling Stone magazine, South London's Nathaniel Cross has been a prominent force behind the scenes for several years now as an arranger and trombone player.

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